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[4454,1]  I have softened the rude spelling, and have even abstained from marking that the final s in prognatus, quoius, and the final m in Taurasiam, Cesaunam, Aleriam, optumum, and omnem, was not pronounced. The short i in Scipio, consentiunt, fuit, fuisse, is suppressed, so that Scipio for instance is a disyllable; a kind of suppression of which we find still more remarkable instances in Plautus. In the inscription of Barbatus, v. 2, patre after Gnaivo is beyond doubt an interpolation: and in that on his son, v. 6, it is to be observed that the last syllable  4455 of Corsicam is not cut off.) These epitaphs present a peculiarity which characterizes all popular poetry, and is strikingly conspicuous above all in that of modern Greece. Whole lines and thoughts become elements of the poetical language, just like single words: they pass from older pieces in general circulation into new compositions; and, even where the poet is not equal to a great subject, give them a poetical colouring and keeping. So Cicero read on the tomb of Calatinus: hunc plurimae consentiunt gentes populi primarium fuisse virum * : (not. 635. Cicero de Senectute 17.) we read on that of L. Scipio the son of Barbatus: hunc unum plurimi consentiunt R(omani) bonorum optumum fuisse virum. *