[4456,1]
The description of
the nature of the old Roman versification, and of the great variety of
its lyrical metres, which continued in use down to the middle of the
seventh century of the city, and were carried to a high degree of
perfection, I reserve, until I shall publish a chapter of an ancient
grammarian on the Saturnian Verse, which decides the question.) On the
other hand what is related of Ancus has not a touch of poetical colouring. But afterward
with L. Tarquinius Priscus
begins a great poem, which ends with the battle of
Regillus; and this lay of the Tarquins even in its prose
shape is still inexpressibly poetical; nor is it less unlike real
history. The arrival of Tarquinius
the Lucumo at Rome; his deeds and
victories; his death; then the marvellous story of Servius; {Tullia's} impious
nuptials; the murder of the just king; the whole story of the last Tarquinius; the warning
presages of his fall; Lucretia; the feint of Brutus; his death; the war of Porsenna;
in fine the truly Homeric battle of Regillus; all
this forms an epopee, which in depth and brilliance of imagination
leaves every thing produced by Romans in later times far behind it.
Κnowing nothing of the unity which characterizes the most perfect of
Greek poems, it divides itself into sections, answering to the adventures in the lay of the
Niebelungen: and should any one ever have the boldness to think of
restoring it in a poetical form, he would commit a great mistake in
selecting any other than that of this noble work (del poema of the Niebelungen).
*